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100 Years of Ponlai Rice — A Research Project Connecting Japan and Taiwan

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As an attempt to translate social issues through art and connect people and places, this project traces the history and presents state of "Ponlai Rice," which connects Japan and Taiwan.

Ponlai Rice: A Century of Contemporary | Chapter 2

Exhibition Info|Beholding Cell @beholdingcell

2026.10.09 (Fri)~10.11(Sun) 15:00-19:00

Opening Party | 10.09 (Sat) (Fri)17:00-19:00

 

Special Screening+ Artist Talk |

Bùn Space 10.10 (Sat) 20:00-22:00

Registration Link:

https://docs.google.com/forms/d/e/1FAIpQLSc0_gcLqGVrzvTluwwQJQlkEUPcOaH6CYNGr3DJfFKdS8QA2w/viewform?usp=pp_url

 

Curator & Experts Talk | Cooking & Living

10.24 (Sat) 15:00-17:00

Registration please visit Cooking & Living website

 

Supporting Organisations | A Century of Rice Waves, TAIWAN PERMANENT ORIGINAL CONTENT CO., LTD., Bùn Space, Cooking & Living

 

Special Thanks | Waley Art @waleyart

Graphic Design | Szuyu Liu @s.as.a.metaphor

Project Overview:

"Drinking Sake While Enjoying Ponlai Rice (tentative title)"

— A record of fermentation culture in Yamaguchi and Taiwan —

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2026 marks the 100th anniversary of the naming of "Ponlai Mai" in Taiwan. This project aims to use "Ponlai Mai" as a starting point to document the connections between Japan and Taiwan in terms of rice cultivation, sake, fermentation culture, and memory, and to compile them into a video work.

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The starting point of this project lies with Mr. Otoichi Ito, a farmer from Yamaguchi City. Mr. Ito cultivated a rice variety called "Kokuryo Miyako." During the time of the Governor-General of Taiwan, Iso Eikichi, who would later be called the "father of Taiwanese agriculture," and Suenaga Megumu, who would be called the "mother of Ponlai Rice," crossbred Taiwanese native rice with Japanese rice to develop "Ponlai Rice," a high-quality rice suited to Taiwan's climate, which became widely popular in modern Taiwan. The Kokuryo Miyako cultivated by Mr. Otoichi Ito can be traced back through history to one of the origins of that Ponlai Rice lineage.

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Around the 1990s, agricultural research centers in Yamaguchi Prefecture and other locations began efforts to revive and preserve this "Kokuryo-Miyako." In this project, I will also conduct interviews about the background and significance of these efforts, and trace the exchanges and memories centered around rice that have remained in the region across time.

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I also want to focus on the history of rice cultivation and sake. Sake is not merely a luxury item; it has been deeply intertwined with Shinto rituals and festivals since ancient times. It has a history of being offered to the gods as sacred sake and treated as a link between people, nature, and the gods. While visiting Hofu Tenmangu Shrine, Sakatari Shrine, and the Sabagawa River basin, I will also consider the relationship between water, rice, and fermentation culture. Furthermore, at Okazaki Hachimangu Shrine, which is said to have one of only four sake breweries operated within the Shrines' territory in the entire country, I will touch upon the history related to Empress Jingu and sake brewing, and I will also look at the history of rice cultivation, which is believed to have been introduced by ancient people from the continent, as seen at the Doigahama ruins on the western edge of Yamaguchi Prefecture, and the meaning of sacred sake in Shinto.

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Furthermore, through interviews with farmers who cultivate rice in Yamaguchi Prefecture and sake breweries involved in sake production, I also hope to document the continuation of rice farming and fermentation culture in the modern era.

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This project is not confined to Japan alone. In Izumo City, Shimane Prefecture, sake is being brewed using the aforementioned "Taichung 65" variety of Ponlai Rice from Taiwan. This creates a cycle where rice that was once sent to Taiwan returns to Japan across time and is brewed into new sake.

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In addition, I plan to interact with people in Taiwan who received Japanese language education during the Japanese colonial era. I hope to create a space where we can watch videos together, share drinks made from Kokuryo Miyako and Ponlai Rice Taichung No. 65, and share our memories and experiences.

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This project is not simply about verifying history. It is an attempt to re-examine people's lives, migration, technology, memories, and the relationships that connect to the present through rice and sake. I want to carefully record the stories of travel between Japan and Taiwan through rice and sake, along with the landscapes, sounds, and words of the people.

This project requires a long-term and continuous process, including research, travel, production, and documentation.

Activities progress through small, consistent efforts each day, but each step requires time and cost.

Your support will enable us to conduct deeper research and continue production.

 

Expense breakdown

 

Travel expenses within Japan (Yamaguchi Prefecture + Izumo City, Shimane Prefecture, 5-7 days): ¥30,000

Reporting fees for interviews in Japan (for 5-10 people): ¥50,000

Travel expenses to Taiwan: Round-trip airfare between Fukuoka Airport (Japan) and Taoyuan International Airport (Taiwan) ¥40,000

Expenses for a stay in Taiwan (mid-September/approximately 10 days): ¥50,000

Taiwan travel expenses (Taoyuan - Keelung round trip + public transport): ¥50,000

Taiwan event expenses (setup costs, drinks and other supplies): ¥70,000

Taiwan reporting fee (2-3 people): ¥30,000

International shipping fee: ¥30,000

Production support fee (interpretation, translation, filming, editing, etc.) ¥50,000

Artist's fee (daily allowance during production period, etc.): ¥100,000

TOTAL ¥500,000

 

Donations are currently being accepted (as of November 1, 2026).

 

Thanks to the support of everyone who has helped this project, I was able to successfully conduct interviews, filming, and screenings in Taiwan from September 30th to October 13th, 2026. However, I still need to work on preparing for the film screening in Taiwan around April 2027, as well as screening(s) in Japan, and submitting the film to domestic and international documentary film festivals. Therefore, I am still accepting donations.

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Those who have made a donation will be acknowledged by name under “Special Thanks.” 

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If you are interested in this initiative, I would be delighted if you would support and participate.

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Thank you for your kind support.

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 © 2026 by Keijiro Suzuki

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